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+                    GNU AFFERO GENERAL PUBLIC LICENSE
+                       Version 3, 19 November 2007
+
+ Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/>
+ Everyone is permitted to copy and distribute verbatim copies
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+
+  IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
+THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
+GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
+USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
+DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
+PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
+EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
+SUCH DAMAGES.
+
+  17. Interpretation of Sections 15 and 16.
+
+  If the disclaimer of warranty and limitation of liability provided
+above cannot be given local legal effect according to their terms,
+reviewing courts shall apply local law that most closely approximates
+an absolute waiver of all civil liability in connection with the
+Program, unless a warranty or assumption of liability accompanies a
+copy of the Program in return for a fee.
+
+                     END OF TERMS AND CONDITIONS
+
+            How to Apply These Terms to Your New Programs
+
+  If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+  To do so, attach the following notices to the program.  It is safest
+to attach them to the start of each source file to most effectively
+state the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+    <one line to give the program's name and a brief idea of what it does.>
+    Copyright (C) <year>  <name of author>
+
+    This program is free software: you can redistribute it and/or modify
+    it under the terms of the GNU Affero General Public License as published by
+    the Free Software Foundation, either version 3 of the License, or
+    (at your option) any later version.
+
+    This program is distributed in the hope that it will be useful,
+    but WITHOUT ANY WARRANTY; without even the implied warranty of
+    MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
+    GNU Affero General Public License for more details.
+
+    You should have received a copy of the GNU Affero General Public License
+    along with this program.  If not, see <http://www.gnu.org/licenses/>.
+
+Also add information on how to contact you by electronic and paper mail.
+
+  If your software can interact with users remotely through a computer
+network, you should also make sure that it provides a way for users to
+get its source.  For example, if your program is a web application, its
+interface could display a "Source" link that leads users to an archive
+of the code.  There are many ways you could offer source, and different
+solutions will be better for different programs; see section 13 for the
+specific requirements.
+
+  You should also get your employer (if you work as a programmer) or school,
+if any, to sign a "copyright disclaimer" for the program, if necessary.
+For more information on this, and how to apply and follow the GNU AGPL, see
+<http://www.gnu.org/licenses/>.
+*
+
+Free Art License 1.3
+
+   [ Copyleft Attitude ]
+
+   Free Art License 1.3 (FAL 1.3)
+
+   Preamble
+
+   The Free Art License grants the right to freely copy, distribute, and
+   transform creative works without infringing the author’s rights.
+
+   The Free Art License recognizes and protects these rights. Their
+   implementation has been reformulated in order to allow everyone to use
+   creations of the human mind in a creative manner, regardless of their
+   types and ways of expression.
+
+   While the public’s access to creations of the human mind usually is
+   restricted by the implementation of copyright law, it is favoured by
+   the Free Art License. This license intends to allow the use of a work’s
+   resources; to establish new conditions for creating in order to
+   increase creation opportunities. The Free Art License grants the right
+   to use a work, and acknowledges the right holder’s and the user’s
+   rights and responsibility.
+
+   The invention and development of digital technologies, Internet and
+   Free Software have changed creation methods: creations of the human
+   mind can obviously be distributed, exchanged, and transformed. They
+   allow to produce common works to which everyone can contribute to the
+   benefit of all.
+
+   The main rationale for this Free Art License is to promote and protect
+   these creations of the human mind according to the principles of
+   copyleft: freedom to use, copy, distribute, transform, and prohibition
+   of exclusive appropriation.
+
+   Definitions
+
+   « work » either means the initial work, the subsequent works or the
+   common work as defined hereafter:
+
+   « common work » means a work composed of the initial work and all
+   subsequent contributions to it (originals and copies). The initial
+   author is the one who, by choosing this license, defines the conditions
+   under which contributions are made.
+
+   « Initial work » means the work created by the initiator of the common
+   work (as defined above), the copies of which can be modified by whoever
+   wants to
+
+   « Subsequent works » means the contributions made by authors who
+   participate in the evolution of the common work by exercising the
+   rights to reproduce, distribute, and modify that are granted by the
+   license.
+
+   « Originals » (sources or resources of the work) means all copies of
+   either the initial work or any subsequent work mentioning a date and
+   used by their author(s) as references for any subsequent updates,
+   interpretations, copies or reproductions.
+
+   « Copy » means any reproduction of an original as defined by this
+   license.
+
+   1. OBJECT
+   The aim of this license is to define the conditions under which one can
+   use this work freely.
+
+   2. SCOPE
+   This work is subject to copyright law. Through this license its author
+   specifies the extent to which you can copy, distribute, and modify it.
+
+   2.1 FREEDOM TO COPY (OR TO MAKE REPRODUCTIONS)
+   You have the right to copy this work for yourself, your friends or any
+   other person, whatever the technique used.
+
+   2.2 FREEDOM TO DISTRIBUTE, TO PERFORM IN PUBLIC
+   You have the right to distribute copies of this work; whether modified
+   or not, whatever the medium and the place, with or without any charge,
+   provided that you:
+   attach this license without any modification to the copies of this work
+   or indicate precisely where the license can be found,
+   specify to the recipient the names of the author(s) of the originals,
+   including yours if you have modified the work,
+   specify to the recipient where to access the originals (either initial
+   or subsequent).
+   The authors of the originals may, if they wish to, give you the right
+   to distribute the originals under the same conditions as the copies.
+
+   2.3 FREEDOM TO MODIFY
+   You have the right to modify copies of the originals (whether initial
+   or subsequent) provided you comply with the following conditions:
+   all conditions in article 2.2 above, if you distribute modified copies;
+   indicate that the work has been modified and, if it is possible, what
+   kind of modifications have been made;
+   distribute the subsequent work under the same license or any compatible
+   license.
+   The author(s) of the original work may give you the right to modify it
+   under the same conditions as the copies.
+
+   3. RELATED RIGHTS
+   Activities giving rise to author’s rights and related rights shall not
+   challenge the rights granted by this license.
+   For example, this is the reason why performances must be subject to the
+   same license or a compatible license. Similarly, integrating the work
+   in a database, a compilation or an anthology shall not prevent anyone
+   from using the work under the same conditions as those defined in this
+   license.
+
+   4. INCORPORATION OF THE WORK
+   Incorporating this work into a larger work that is not subject to the
+   Free Art License shall not challenge the rights granted by this
+   license.
+   If the work can no longer be accessed apart from the larger work in
+   which it is incorporated, then incorporation shall only be allowed
+   under the condition that the larger work is subject either to the Free
+   Art License or a compatible license.
+
+   5. COMPATIBILITY
+   A license is compatible with the Free Art License provided:
+   it gives the right to copy, distribute, and modify copies of the work
+   including for commercial purposes and without any other restrictions
+   than those required by the respect of the other compatibility criteria;
+   it ensures proper attribution of the work to its authors and access to
+   previous versions of the work when possible;
+   it recognizes the Free Art License as compatible (reciprocity);
+   it requires that changes made to the work be subject to the same
+   license or to a license which also meets these compatibility criteria.
+
+   6. YOUR INTELLECTUAL RIGHTS
+   This license does not aim at denying your author’s rights in your
+   contribution or any related right. By choosing to contribute to the
+   development of this common work, you only agree to grant others the
+   same rights with regard to your contribution as those you were granted
+   by this license. Conferring these rights does not mean you have to give
+   up your intellectual rights.
+
+   7. YOUR RESPONSIBILITIES
+   The freedom to use the work as defined by the Free Art License (right
+   to copy, distribute, modify) implies that everyone is responsible for
+   their own actions.
+
+   8. DURATION OF THE LICENSE
+   This license takes effect as of your acceptance of its terms. The act
+   of copying, distributing, or modifying the work constitutes a tacit
+   agreement. This license will remain in effect for as long as the
+   copyright which is attached to the work. If you do not respect the
+   terms of this license, you automatically lose the rights that it
+   confers.
+   If the legal status or legislation to which you are subject makes it
+   impossible for you to respect the terms of this license, you may not
+   make use of the rights which it confers.
+
+   9. VARIOUS VERSIONS OF THE LICENSE
+   This license may undergo periodic modifications to incorporate
+   improvements by its authors (instigators of the « Copyleft Attitude »
+   movement) by way of new, numbered versions.
+   You will always have the choice of accepting the terms contained in the
+   version under which the copy of the work was distributed to you, or
+   alternatively, to use the provisions of one of the subsequent versions.
+
+   10. SUB-LICENSING
+   Sub-licenses are not authorized by this license. Any person wishing to
+   make use of the rights that it confers will be directly bound to the
+   authors of the common work.
+
+   11. LEGAL FRAMEWORK
+   This license is written with respect to both French law and the Berne
+   Convention for the Protection of Literary and Artistic Works.
+
+   USER GUIDE
+
+   – How to use the Free Art License?
+   To benefit from the Free Art License, you only need to mention the
+   following elements on your work:
+   [Name of the author, title, date of the work. When applicable, names of
+   authors of the common work and, if possible, where to find the
+   originals].
+   Copyleft: This is a free work, you can copy, distribute, and modify it
+   under the terms of the Free Art License
+   http://artlibre.org/licence/lal/en/
+
+   – Why to use the Free Art License?
+   1.To give the greatest number of people access to your work.
+   2.To allow it to be distributed freely.
+   3.To allow it to evolve by allowing its copy, distribution, and
+   transformation by others.
+   4.So that you benefit from the resources of a work when it is under the
+   Free Art License: to be able to copy, distribute or transform it
+   freely.
+   5.But also, because the Free Art License offers a legal framework to
+   disallow any misappropriation. It is forbidden to take hold of your
+   work and bypass the creative process for one’s exclusive possession.
+
+   – When to use the Free Art License?
+   Any time you want to benefit and make others benefit from the right to
+   copy, distribute and transform creative works without any exclusive
+   appropriation, you should use the Free Art License. You can for example
+   use it for scientific, artistic or educational projects.
+
+   – What kinds of works can be subject to the Free Art License?
+   The Free Art License can be applied to digital as well as physical
+   works.
+   You can choose to apply the Free Art License on any text, picture,
+   sound, gesture, or whatever sort of stuff on which you have sufficient
+   author’s rights.
+
+   – Historical background of this license:
+   It is the result of observing, using and creating digital technologies,
+   free software, the Internet and art. It arose from the « Copyleft
+   Attitude » meetings which took place in Paris in 2000. For the first
+   time, these meetings brought together members of the Free Software
+   community, artists, and members of the art world. The goal was to adapt
+   the principles of Copyleft and free software to all sorts of creations.
+   http://www.artlibre.org
+
+   Copyleft Attitude, 2007.
+   You can make reproductions and distribute this license verbatim
+   (without any changes).
+
+   Translation : Jonathan Clarke, Benjamin Jean, Griselda Jung, Fanny
+   Mourguet, Antoine Pitrou.
+   Thanks to framalang.org
+